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Mary Ann Evans, writing as George Eliot, issued it in three volumes through William Blackwood and Sons on 4 April 1860; Harper & Brothers printed it in New York that year.
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- 1Outside Dorlcote Mill4 min
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- 2Mr Tulliver, of Dorlcote Mill, Declares His Resoluti...13 min
- 3Mr Riley Gives His Advice Concerning a School for Tom29 min
- 4Tom Is Expected11 min
- 5Tom Comes Home21 min
- 6The Aunts and Uncles Are Coming25 min
- 7Enter the Aunts and Uncles49 min
- 8Mr Tulliver Shows His Weaker Side21 min
- 9To Garum Firs29 min
- 10Maggie Behaves Worse Than She Expected12 min
- 11Maggie Tries to Run away from Her Shadow24 min
- 12Mr and Mrs Glegg at Home27 min
- 13Mr Tulliver Further Entangles the Skein of Life6 min
- 1Tom's "First Half"43 min
- 2The Christmas Holidays16 min
- 3The New Schoolfellow13 min
- 4"The Young Idea"23 min
- 5Maggie's Second Visit10 min
- 6A Love-Scene10 min
- 7The Golden Gates Are Passed14 min
- 1What Had Happened at Home13 min
- 2Mrs Tulliver's Teraphim, or Household Gods10 min
- 3The Family Council33 min
- 4A Vanishing Gleam8 min
- 5Tom Applies His Knife to the Oyster25 min
- 6Tending to Refute the Popular Prejudice against the...15 min
- 7How a Hen Takes to Stratagem25 min
- 8Daylight on the Wreck17 min
- 9An Item Added to the Family Register12 min
- 1A Variation of Protestantism Unknown to Bossuet10 min
- 2The Torn Nest Is Pierced by the Thorns11 min
- 3A Voice from the Past31 min
- 1In the Red Deeps26 min
- 2Aunt Glegg Learns the Breadth of Bob's Thumb38 min
- 3The Wavering Balance14 min
- 4Another Love-Scene12 min
- 5The Cloven Tree25 min
- 6The Hard-Won Triumph10 min
- 7A Day of Reckoning13 min
- 1A Duet in Paradise18 min
- 2First Impressions28 min
- 3Confidential Moments9 min
- 4Brother and Sister16 min
- 5Showing That Tom Had Opened the Oyster9 min
- 6Illustrating the Laws of Attraction22 min
- 7Philip Re-enters29 min
- 8Wakem in a New Light15 min
- 9Charity in Full-Dress20 min
- 10The Spell Seems Broken12 min
- 11In the Lane14 min
- 12A Family Party14 min
- 13Borne Along by the Tide29 min
- 14Waking When Maggie was gone to sleep, Stephen, weary...23 min
- 1The Return to the Mill15 min
- 2St Ogg's Passes Judgment19 min
- 3Showing That Old Acquaintances Are Capable of Surpri...14 min
- 4Maggie and Lucy14 min
- 5The Last Conflict25 min
The opening
Outside Dorlcote Mill
Outside Dorlcote Mill
A wide plain, where the broadening Floss hurries on between its green banks to the sea, and the loving tide, rushing to meet it, checks its passage with an impetuous embrace. On this mighty tide the black ships—laden with the fresh-scented fir-planks, with rounded sacks of oil-bearing seed, or with the dark glitter of coal—are borne along to the town of St Ogg's, which shows its aged, fluted red roofs and the broad gables of its wharves between the low wooded hill and the river-brink, tingeing the water with a soft purple hue under the transient glance of this February sun. Far away on each hand stretch the rich pastures, and the patches of dark earth made ready for the seed of broad-leaved green crops, or touched already with the tint of the tender-bladed autumn-sown corn. There is a remnant still of last year's golden clusters of beehive-ricks rising at intervals beyond the hedgerows; and everywhere the hedgerows are studded with trees; the distant ships seem to be lifting their masts and stretching their red-brown sails close among the branches of the spreading ash. Just by the red-roofed town the tributary Ripple flows with a lively current into the Floss. How lovely the little river is, with its dark changing wavelets! It seems to me like a living companion while I wander along the bank, and listen to its low, placid voice, as to the voice of one who is deaf and loving. I remember those large dipping willows. I remember the stone bridge.
And this is Dorlcote Mill. I must stand a minute or two here on the bridge and look at it, though the clouds are threatening, and it is far on in the afternoon. Even in this leafless time of departing February it is pleasant to look at,—perhaps the chill, damp season adds a charm to the trimly kept, comfortable dwelling-house, as old as the elms and chestnuts that shelter it from the northern blast. The stream is brimful now, and lies high in this little withy plantation, and half drowns the grassy fringe of the croft in front of the house. As I look at the full stream, the vivid grass, the delicate bright-green powder softening the outline of the great trunks and branches that gleam from under the bare purple boughs, I am in love with moistness, and envy the white ducks that are dipping their heads far into the water here among the withes, unmindful of the awkward appearance they make in the drier world above.
The rush of the water and the booming of the mill bring a dreamy deafness, which seems to heighten the peacefulness of the scene. They are like a great curtain of sound, shutting one out from the world beyond. And now there is the thunder of the huge covered wagon coming home with sacks of grain. That honest wagoner is thinking of his dinner, getting sadly dry in the oven at this late hour; but he will not touch it till he has fed his horses,—the strong, submissive, meek-eyed beasts, who, I fancy, are looking mild reproach at him from between their blinkers, that he should crack his whip at them in that awful manner as if they needed that hint! See how they stretch their shoulders up the slope toward the bridge, with all the more energy because they are so near home. Look at their grand shaggy feet that seem to grasp the firm earth, at the patient strength of their necks, bowed under the heavy collar, at the mighty muscles of their struggling haunches! I should like well to hear them neigh over their hardly-earned feed of corn, and see them, with their moist necks freed from the harness, dipping their eager nostrils into the muddy pond. Now they are on the bridge, and down they go again at a swifter pace, and the arch of the covered wagon disappears at the turning behind the trees.
Now I can turn my eyes toward the mill again, and watch the unresting wheel sending out its diamond jets of water. That little girl is watching it too; she has been standing on just the same spot at the edge of the water ever since I paused on the bridge. And that queer white cur with the brown ear seems to be leaping and barking in ineffectual remonstrance with the wheel; perhaps he is jealous because his playfellow in the beaver bonnet is so rapt in its movement. It is time the little playfellow went in, I think; and there is a very bright fire to tempt her: the red light shines out under the deepening gray of the sky. It is time, too, for me to leave off resting my arms on the cold stone of this bridge...
Ah, my arms are really benumbed. I have been pressing my elbows on the arms of my chair, and dreaming that I was standing on the bridge in front of Dorlcote Mill, as it looked one February afternoon many years ago. Before I dozed off, I was going to tell you what Mr and Mrs Tulliver were talking about, as they sat by the bright fire in the left-hand parlour, on that very afternoon I have been dreaming of.
About the author
George Eliot
1819 Nuneaton – 1880 London · English novelist, essayist, poet and journalist
Mary Ann Evans took the pen name George Eliot and rose to the front rank of Victorian writers; she also wrote poetry, criticism and translations. Her career as a novelist began with Adam Bede in 1859, and The Mill on the Floss and Silas Marner followed within two years. Romola, Felix Holt, the Radical and Middlemarch came next, and Daniel Deronda, in 1876, closed a run of seven novels.
- 1819Born, Nuneaton
- 1859Adam Bede
- 1860The Mill on the Floss
- 1861Silas Marner
- 1871Middlemarch
- 1876Daniel Deronda
- 1880Died, London
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What is The Mill on the Floss about?
Maggie Tulliver grows up beside the River Floss, clever, impulsive and at odds with her brother Tom, until a flood settles things. Mary Ann Evans, writing as George Eliot, issued it in three volumes through William Blackwood and Sons on 4 April 1860; Harper & Brothers printed it in New York that year. More on George Eliot
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