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FROM a very early period of my life the entire bent of my inclinations had been toward microscopic investigations.
The narrator is a young man consumed by microscopy who sets his heart on making a flawless lens, and he will do anything to get hold of the great diamond it requires.
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- 1FROM a very early period of my life the entire bent...7 min
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- 2My first step, of course, was to find suitable apart...9 min
- 3Two evenings after this, thanks to an arrangement by...7 min
- 4There was a light in Simon's room as I entered my house13 min
- 5The three months succeeding Simon's catastrophe I de...10 min
- 6I arose the next morning almost at daybreak, and rus...7 min
The opening
FROM a very early period of my life the entire bent...
FROM a very early period of my life the entire bent of my inclinations had been toward microscopic investigations. When I was not more than ten years old, a distant relative of our family, hoping to astonish my inexperience, constructed a simple microscope for me by drilling in a disk of copper a small hole in which a drop of pure water was sustained by capillary attraction. This very primitive apparatus, magnifying some fifty diameters, presented, it is true, only indistinct and imperfect forms, but still sufficiently wonderful to work up my imagination to a preternatural state of excitement.
Seeing me so interested in this rude instrument, my cousin explained to me all that he knew about the principles of the microscope, related to me a few of the wonders which had been accomplished through its agency, and ended by promising to send me one regularly constructed, immediately on his return to the city. I counted the days, the hours, the minutes that intervened between that promise and his departure.
Meantime, I was not idle. Every transparent substance that bore the remotest resemblance to a lens I eagerly seized upon, and employed in vain attempts to realize that instrument the theory of whose construction I as yet only vaguely comprehended. All panes of glass containing those oblate spheroidal knots familiarly known as "bull's-eyes" were ruthlessly destroyed in the hope of obtaining lenses of marvelous power. I even went so far as to extract the crystalline humor from the eyes of fishes and animals, and endeavored to press it into the microscopic service. I plead guilty to having stolen the glasses from my Aunt Agatha's spectacles, with a dim idea of grinding them into lenses of wondrous magnifying properties—in which attempt it is scarcely necessary to say that I totally failed.
At last the promised instrument came. It was of that order known as Field's simple microscope, and had cost perhaps about fifteen dollars. As far as educational purposes went, a better apparatus could not have been selected. Accompanying it was a small treatise on the microscope—its history, uses, and discoveries. I comprehended then for the first time the "Arabian Nights' Entertainments." The dull veil of ordinary existence that hung across the world seemed suddenly to roll away, and to lay bare a land of enchantments. I felt toward my companions as the seer might feel toward the ordinary masses of men. I held conversations with nature in a tongue which they could not understand. I was in daily communication with living wonders such as they never imagined in their wildest visions, I penetrated beyond the external portal of things, and roamed through the sanctuaries. Where they beheld only a drop of rain slowly rolling down the window-glass, I saw a universe of beings animated with all the passions common to physical life, and convulsing their minute sphere with struggles as fierce and protracted as those of men. In the common spots of mould, which my mother, good housekeeper that she was, fiercely scooped away from her jam-pots, there abode for me, under the name of mildew, enchanted gardens, filled with dells and avenues of the densest foliage and most astonishing verdure, while from the fantastic boughs of these microscopic forests hung strange fruits glittering with green and silver and gold.
It was no scientific thirst that at this time filled my mind. It was the pure enjoyment of a poet to whom a world of wonders has been disclosed. I talked of my solitary pleasures to none. Alone with my microscope, I dimmed my sight, day after day and night after night, poring over the marvels which it unfolded to me. I was like one who, having discovered the ancient Eden still existing in all its primitive glory, should resolve to enjoy it in solitude, and never betray to mortal the secret of its locality. The rod of my life was bent at this moment. I destined myself to be a microscopist.
Of course, like every novice, I fancied myself a discoverer. I was ignorant at the time of the thousands of acute intellects engaged in the same pursuit as myself, and with the advantage of instruments a thousand times more powerful than mine. The names of Leeuwenhoek, Williamson, Spencer, Ehrenberg, Schultz, Dujardin, Schact, and Schleiden were then entirely unknown to me, or, if known, I was ignorant of their patient and wonderful researches. In every fresh specimen of cryptogamia which I placed beneath my instrument I believed that I discovered wonders of which the world was as yet ignorant. I remember well the thrill of delight and admiration that shot through me the first time that I discovered the common wheel animalcule (Rotifera vulgaris) expanding and contracting its flexible spokes and seemingly rotating through the water. Alas! as I grew older, and obtained some works treating of my favorite study, I found that I was only on the threshold of a science to the investigation of which some of the greatest men of the age were devoting their lives and intellects.
As I grew up, my parents, who saw but little likelihood of anything practical resulting from the examination of bits of moss and drops of water through a brass tube and a piece of glass, were anxious that I should choose a profession.
It was their desire that I should enter the counting-house of my uncle, Ethan Blake, a prosperous merchant, who carried on business in New York. This suggestion I decisively combated. I had no taste for trade; I should only make a failure; in short, I refused to become a merchant.
But it was necessary for me to select some pursuit. My parents were staid New England people, who insisted on the necessity of labor, and therefore, although, thanks to the bequest of my poor Aunt Agatha, I should, on coming of age, inherit a small fortune sufficient to place me above want, it was decided that, instead of waiting for this, I should act the nobler part, and employ the intervening years in rendering myself independent.
After much cogitation, I complied with the wishes of my family, and selected a profession. I determined to study medicine at the New York Academy. This disposition of my future suited me. A removal from my relatives would enable me to dispose of my time as I pleased without fear of detection. As long as I paid my Academy fees, I might shirk attending the lectures if I chose; and, as I never had the remotest intention of standing an examination, there was no danger of my being "plucked." Besides, a metropolis was the place for me. There I could obtain excellent instruments, the newest publications, intimacy with men of pursuits kindred with my own—in short, all things necessary to ensure a profitable devotion of my life to my beloved science. I had an abundance of money, few desires that were not bounded by my illuminating mirror on one side and my object-glass on the other; what, therefore, was to prevent my becoming an illustrious investigator of the veiled worlds? It was with the most buoyant hope that I left my New England home and established myself in New York.
About the author
Fitz James O'Brien
1828 Ireland – 1862 Cumberland · Irish-American writer
Born in Ireland and active in America, Fitz-James O'Brien wrote short stories of science fiction and fantasy. In the middle of the 19th century he made a notable contribution to American letters.
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What is The Diamond Lens about?
Fitz James O'Brien, an Irish-American writer, published this short story in The Atlantic Monthly in 1858. The narrator is a young man consumed by microscopy who sets his heart on making a flawless lens, and he will do anything to get hold of the great diamond it requires. More on Fitz James O'Brien
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