The Picture of Dorian Gray
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Chapters
- 1. Introduction 2:16 Free
- 2. Chapter 1 β Part 1 of 3: The studio was filled with the rich odour of roses... 9:55
- 3. Chapter 1 β Part 2 of 3: The wind shook some blossoms from the trees, and the... 9:35
- 4. Chapter 1 β Part 3 of 3: I forget; but it is what Dorian Gray has been to me 8:28
- 5. Chapter 2 β Part 1 of 3: As they entered they saw Dorian Gray 10:52
- 6. Chapter 2 β Part 2 of 3: "My dear fellow, I am so sorry 10:34
- 7. Chapter 2 β Part 3 of 3: Dorian made no answer, but passed listlessly in fron... 11:45
- 8. Chapter 3: At half-past twelve next day Lord Henry Wotton strol... 26:37
- 9. Chapter 4 β Part 1 of 4: One afternoon, a month later, Dorian Gray was reclin... 10:38
- 10. Chapter 4 β Part 2 of 4: "My dear boy, the people who love only once in their... 10:41
- 11. Chapter 4 β Part 3 of 4: "My dear Harry, we either lunch or sup together ever... 9:40
- 12. Chapter 4 β Part 4 of 4: It was clear to him that the experimental method was... 1:38
- 13. Chapter 5: "Mother, Mother, I am so happy!" whispered the girl... 26:22
- 14. Chapter 6: "I suppose you have heard the news, Basil?" said Lor... 16:48
- 15. Chapter 7: For some reason or other, the house was crowded that... 26:13
- 16. Chapter 8 β Part 1 of 3: It was long past noon when he awoke 10:26
- 17. Chapter 8 β Part 2 of 3: "It is quite true, Dorian," said Lord Henry, gravely 10:40
- 18. Chapter 8 β Part 3 of 3: "Oh, the obvious consolation 9:26
- 19. Chapter 9: As he was sitting at breakfast next morning, Basil H... 22:43
- 20. Chapter 10: When his servant entered, he looked at him steadfast... 18:00
- 21. Chapter 11 β Part 1 of 5: For years, Dorian Gray could not free himself from t... 8:52
- 22. Chapter 11 β Part 2 of 5: The wan mirrors get back their mimic life 8:04
- 23. Chapter 11 β Part 3 of 5: He discovered wonderful stories, also, about jewels 9:05
- 24. Chapter 11 β Part 4 of 5: For these treasures, and everything that he collecte... 9:10
- 25. Chapter 11 β Part 5 of 5: The hero of the wonderful novel that had so influenc... 3:56
- 26. Chapter 12: It was on the ninth of November, the eve of his own... 15:43
- 27. Chapter 13: He passed out of the room and began the ascent, Basi... 14:40
- 28. Chapter 14: At nine o'clock the next morning his servant came in... 26:04
- 29. Chapter 15: That evening, at eight-thirty, exquisitely dressed a... 18:43
- 30. Chapter 16: A cold rain began to fall, and the blurred street-la... 17:56
- 31. Chapter 17: A week later Dorian Gray was sitting in the conserva... 11:43
- 32. Chapter 18: The next day he did not leave the house, and, indeed... 19:32
- 33. Chapter 19: "There is no use your telling me that you are going... 21:12
- 34. Chapter 20: It was a lovely night, so warm that he threw his coa... 10:51
Read chapter 1
The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of beautiful things.
The highest as the lowest form of criticism is a mode of autobiography. Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault.
Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only beauty.
There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.
The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass.
The nineteenth century dislike of romanticism is the rage of Caliban not seeing his own face in a glass. The moral life of man forms part of the subject-matter of the artist, but the morality of art consists in the perfect use of an imperfect medium. No artist desires to prove anything. Even things that are true can be proved. No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style. No artist is ever morbid. The artist can express everything. Thought and language are to the artist instruments of an art. Vice and virtue are to the artist materials for an art. From the point of view of form, the type of all the arts is the art of the musician. From the point of view of feeling, the actor's craft is the type. All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Diversity of opinion about a work of art shows that the work is new, complex, and vital. When critics disagree, the artist is in accord with himself. We can forgive a man for making a useful thing as long as he does not admire it. The only excuse for making a useless thing is that one admires it intensely.
All art is quite useless.
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