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The book centers on the sailor Ishmael's narrative of the maniacal quest of Ahab, captain of the whaling ship Pequod, for vengeance against Moby Dick, the giant white sperm whale that bit off his leg on the ship's previous voyage.
Inside the book
- Free nowno account · 2 chapters
- —Etymology23 min
- 1Loomings12 min
- Premium134 chapters · every book, 7 days free
- 2The Carpet-Bag8 min
- 3The Spouter-Inn31 min
- 4The Counterpane9 min
- 5Breakfast4 min
- 6The Street5 min
- 7The Chapel5 min
- 8The Pulpit5 min
- 9The Sermon20 min
- 10A Bosom Friend8 min
- 11Nightgown4 min
- 12Biographical5 min
- 13Wheelbarrow9 min
- 14Nantucket4 min
- 15Chowder6 min
- 16The Ship31 min
- 17The Ramadan13 min
- 18His Mark8 min
- 19The Prophet7 min
- 20All Astir5 min
- 21Going Aboard7 min
- 22Merry Christmas9 min
- 23The Lee Shore2 min
- 24The Advocate10 min
- 25Postscript2 min
- 26Knights and Squires7 min
- 27Knights and Squires9 min
- 28Ahab8 min
- 29Enter Ahab; to Him, Stubb7 min
- 30The Pipe2 min
- 31Queen Mab5 min
- 32Cetology31 min
- 33The Specksnyder5 min
- 34The Cabin-Table12 min
- 35The Mast-Head14 min
- 36The Quarter-Deck17 min
- 37Sunset3 min
- 38Dusk3 min
- 39First Night-Watch2 min
- 40Midnight, Forecastle12 min
- 41Moby Dick21 min
- 42The Whiteness of the Whale20 min
- 43Hark!2 min
- 44The Chart11 min
- 45The Affidavit19 min
- 46Surmises5 min
- 47The Mat-Maker5 min
- 48The First Lowering23 min
- 49The Hyena4 min
- 50Ahab’s Boat and Crew. Fedallah5 min
- 51The Spirit-Spout8 min
- 52The Albatross4 min
- 53The Gam9 min
- 54The Town-Ho’s Story44 min
- 55Of the Monstrous Pictures of Whales10 min
- 57Chapter 567 min
- 58Chapter 575 min
- 58Brit5 min
- 59Squid5 min
- 60The Line7 min
- 61Stubb Kills a Whale11 min
- 62The Dart3 min
- 63The Crotch3 min
- 64Stubb’s Supper17 min
- 65The Whale as a Dish5 min
- 66The Shark Massacre3 min
- 67Cutting in4 min
- 68The Blanket7 min
- 69The Funeral2 min
- 70The Sphynx5 min
- 71The Jeroboam’s Story13 min
- 72The Monkey-Rope9 min
- 73Stubb and Flask kill a Right Whale; and Then Have a Talk over Him11 min
- 74The Sperm Whale’s Head—Contrasted View9 min
- 75The Right Whale’s Head—Contrasted View7 min
- 76The Battering-Ram5 min
- 77The Great Heidelburgh Tun4 min
- 78Cistern and Buckets9 min
- 79The Prairie5 min
- 80The Nut5 min
- 81The Pequod Meets the Virgin24 min
- 82The Honor and Glory of Whaling6 min
- 83Jonah Historically Regarded4 min
- 84Pitchpoling5 min
- 85The Fountain11 min
- 86The Tail10 min
- 87The Grand Armada26 min
- 88Schools and Schoolmasters7 min
- 89Fast-Fish and Loose-Fish8 min
- 90Heads or Tails6 min
- 91The Pequod Meets the Rose-Bud14 min
- 92Ambergris5 min
- 93The Castaway9 min
- 94A Squeeze of the Hand7 min
- 95The Cassock3 min
- 96The Try-Works10 min
- 97The Lamp1 min
- 98Stowing Down and Clearing Up6 min
- 99The Doubloon15 min
- 100Leg and Arm15 min
- 101The Decanter10 min
- 102A Bower in the Arsacides9 min
- 103Measurement of The Whale’s Skeleton5 min
- 104The Fossil Whale8 min
- 105Does the Whale’s Magnitude Diminish?—Will He Perish?8 min
- 106Ahab’s Leg5 min
- 107The Carpenter6 min
- 108Ahab and the Carpenter10 min
- 109Ahab and Starbuck in the Cabin5 min
- 110Queequeg in His Coffin12 min
- 111The Pacific2 min
- 112The Blacksmith5 min
- 113The Forge7 min
- 114The Gilder4 min
- 115The Pequod Meets the Bachelor5 min
- 116The Dying Whale3 min
- 117The Whale Watch3 min
- 118The Quadrant5 min
- 119The Candles15 min
- 120The Deck Towards the End of the First Night Watch1 min
- 121Midnight.—The Forecastle Bulwarks4 min
- 122Midnight Aloft.—Thunder and Lightning1 min
- 123The Musket7 min
- 124The Needle7 min
- 125The Log and Line7 min
- 126The Life-Buoy8 min
- 127The Deck5 min
- 128The Pequod Meets the Rachel8 min
- 129The Cabin4 min
- 130The Hat9 min
- 131The Pequod Meets the Delight2 min
- 132The Symphony10 min
- 133The Chase—First Day21 min
- 134The Chase—Second Day19 min
- 135The Chase.—Third Day28 min
The opening
Loomings
Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?—Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster—tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?
But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand—miles of them—leagues. Inlanders all, they come from lanes and alleys, streets and avenues—north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither?
Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries—stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
But here is an artist. He desires to paint you the dreamiest, shadiest, quietest, most enchanting bit of romantic landscape in all the valley of the Saco. What is the chief element he employs? There stand his trees, each with a hollow trunk, as if a hermit and a crucifix were within; and here sleeps his meadow, and there sleep his cattle; and up from yonder cottage goes a sleepy smoke. Deep into distant woodlands winds a mazy way, reaching to overlapping spurs of mountains bathed in their hill-side blue. But though the picture lies thus tranced, and though this pine-tree shakes down its sighs like leaves upon this shepherd's head, yet all were vain, unless the shepherd's eye were fixed upon the magic stream before him. Go visit the Prairies in June, when for scores on scores of miles you wade knee-deep among Tiger-lilies—what is the one charm wanting?—Water—there is not a drop of water there! Were Niagara but a cataract of sand, would you travel your thousand miles to see it? Why did the poor poet of Tennessee, upon suddenly receiving two handfuls of silver, deliberate whether to buy him a coat, which he sadly needed, or invest his money in a pedestrian trip to Rockaway Beach? Why is almost every robust healthy boy with a robust healthy soul in him, at some time or other crazy to go to sea? Why upon your first voyage as a passenger, did you yourself feel such a mystical vibration, when first told that you and your ship were now out of sight of land? Why did the old Persians hold the sea holy? Why did the Greeks give it a separate deity, and own brother of Jove? Surely all this is not without meaning. And still deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting, mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all.
Now, when I say that I am in the habit of going to sea whenever I begin to grow hazy about the eyes, and begin to be over conscious of my lungs, I do not mean to have it inferred that I ever go to sea as a passenger. For to go as a passenger you must needs have a purse, and a purse is but a rag unless you have something in it. Besides, passengers get sea-sick—grow quarrelsome—don't sleep of nights—do not enjoy themselves much, as a general thing;—no, I never go as a passenger; nor, though I am something of a salt, do I ever go to sea as a Commodore, or a Captain, or a Cook. I abandon the glory and distinction of such offices to those who like them. For my part, I abominate all honorable respectable toils, trials, and tribulations of every kind whatsoever. It is quite as much as I can do to take care of myself, without taking care of ships, barques, brigs, schooners, and what not. And as for going as cook,—though I confess there is considerable glory in that, a cook being a sort of officer on ship-board—yet, somehow, I never fancied broiling fowls;—though once broiled, judiciously buttered, and judgmatically salted and peppered, there is no one who will speak more respectfully, not to say reverentially, of a broiled fowl than I will. It is out of the idolatrous dotings of the old Egyptians upon broiled ibis and roasted river horse, that you see the mummies of those creatures in their huge bake-houses the pyramids.
No, when I go to sea, I go as a simple sailor, right before the mast, plumb down into the forecastle, aloft there to the royal mast-head. True, they rather order me about some, and make me jump from spar to spar, like a grasshopper in a May meadow. And at first, this sort of thing is unpleasant enough. It touches one's sense of honor, particularly if you come of an old established family in the land, the Van Rensselaers, or Randolphs, or Hardicanutes. And more than all, if just previous to putting your hand into the tar-pot, you have been lording it as a country schoolmaster, making the tallest boys stand in awe of you. The transition is a keen one, I assure you, from a schoolmaster to a sailor, and requires a strong decoction of Seneca and the Stoics to enable you to grin and bear it. But even this wears off in time.
What of it, if some old hunks of a sea-captain orders me to get a broom and sweep down the decks? What does that indignity amount to, weighed, I mean, in the scales of the New Testament? Do you think the archangel Gabriel thinks anything the less of me, because I promptly and respectfully obey that old hunks in that particular instance? Who ain't a slave? Tell me that. Well, then, however the old sea-captains may order me about—however they may thump and punch me about, I have the satisfaction of knowing that it is all right; that everybody else is one way or other served in much the same way—either in a physical or metaphysical point of view, that is; and so the universal thump is passed round, and all hands should rub each other's shoulder-blades, and be content.
Again, I always go to sea as a sailor, because they make a point of paying me for my trouble, whereas they never pay passengers a single penny that I ever heard of. On the contrary, passengers themselves must pay. And there is all the difference in the world between paying and being paid. The act of paying is perhaps the most uncomfortable infliction that the two orchard thieves entailed upon us. But being paid,—what will compare with it? The urbane activity with which a man receives money is really marvellous, considering that we so earnestly believe money to be the root of all earthly ills, and that on no account can a monied man enter heaven. Ah! how cheerfully we consign ourselves to perdition!
Finally, I always go to sea as a sailor, because of the wholesome exercise and pure air of the fore-castle deck. For as in this world, head winds are far more prevalent than winds from astern (that is, if you never violate the Pythagorean maxim), so for the most part the Commodore on the quarter-deck gets his atmosphere at second hand from the sailors on the forecastle. He thinks he breathes it first; but not so. In much the same way do the commonalty lead their leaders in many other things, at the same time that the leaders little suspect it. But wherefore it was that after having repeatedly smelt the sea as a merchant sailor, I should now take it into my head to go on a whaling voyage; this the invisible police officer of the Fates, who has the constant surveillance of me, and secretly dogs me, and influences me in some unaccountable way—he can better answer than any one else. And, doubtless, my going on this whaling voyage, formed part of the grand programme of Providence that was drawn up a long time ago. It came in as a sort of brief interlude and solo between more extensive performances. I take it that this part of the bill must have run something like this:
"Grand Contested Election for the Presidency of the United States. "WHALING VOYAGE BY ONE ISHMAEL. "BLOODY BATTLE IN AFFGHANISTAN."
Though I cannot tell why it was exactly that those stage managers, the Fates, put me down for this shabby part of a whaling voyage, when others were set down for magnificent parts in high tragedies, and short and easy parts in genteel comedies, and jolly parts in farces—though I cannot tell why this was exactly; yet, now that I recall all the circumstances, I think I can see a little into the springs and motives which being cunningly presented to me under various disguises, induced me to set about performing the part I did, besides cajoling me into the delusion that it was a choice resulting from my own unbiased freewill and discriminating judgment.
Chief among these motives was the overwhelming idea of the great whale himself. Such a portentous and mysterious monster roused all my curiosity. Then the wild and distant seas where he rolled his island bulk; the undeliverable, nameless perils of the whale; these, with all the attending marvels of a thousand Patagonian sights and sounds, helped to sway me to my wish. With other men, perhaps, such things would not have been inducements; but as for me, I am tormented with an everlasting itch for things remote. I love to sail forbidden seas, and land on barbarous coasts. Not ignoring what is good, I am quick to perceive a horror, and could still be social with it—would they let me—since it is but well to be on friendly terms with all the inmates of the place one lodges in.
By reason of these things, then, the whaling voyage was welcome; the great flood-gates of the wonder-world swung open, and in the wild conceits that swayed me to my purpose, two and two there floated into my inmost soul, endless processions of the whale, and, mid most of them all, one grand hooded phantom, like a snow hill in the air.
About the author
Herman Melville
1819 Manhattan – 1891 New York City · American writer and poet
Herman Melville was an American writer of the American Renaissance period. Among his best-known works are Moby-Dick (1851), Typee (1846), a romanticized account of his experiences in Polynesia, and Billy Budd, Sailor, a posthumously published novella.
- 1819Born, Manhattan
- 1846Typee
- 1851Moby Dick
- 1853Bartleby, the Scrivener
- 1891Died, New York City
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